One of a series of resources working with films from the BFI Sci-fi season. The activities in this resource encourage students to work with Attack the Block (2011) to evaluate how young people are portrayed in the media and how stereotypes and cultural identities are challenged and reinforced in these films. To find out more about Into Film and start a free Into Film Club visit www.intofilm.org/clubs Did you find this resource useful? Leaving a star rating will help other teachers to find it.

Explore Romeo and Juliet with this creative workbook that helps students to analyse the play based on the Shakespeare: The Animated Tales adaptation of the play through the 3Cs (character, camera, colour) and 3Ss (story, setting, sound). This resource is suitable for students aged 7 plus and the teachers' notes includes extension activities. For information on howto start a free Into Film club and to order this DVD for free, please visit http://www.intofilm.org/schools-film-clubs

Drawing on the power of creativity to effect positive change, this resource uses inspirational films showcased at the Into Film Festival as a springboard for young people to explore their own values and to use film as a tool for self-expression. The Into Film Festival takes place from 4-20 November 2015. There are free screenings and events at over 520 venues across the UK. To book and find out more visit www.intofilm.org/festival

This resource enables teachers to use films as case studies to develop emotional literacy and empathy skills, whilst challenging young people creatively through a wide range of literacy and filmmaking activities. The Into Film Festival takes place between 4-20 November 2015. There are free screenings and events at over 520 venues across the UK. To book and find out more visit www.intofilm.org/festival

Into Film have created a presentation suitable for assembly, club or classroom use that teachers and club leaders can use to shine a light on black filmmakers working in the industry today and to inspire young people to tell stories of their own using film. Included in the assembly are embedded video clips for interactive learning, featuring interviews with prominent black filmmakers and actors such as Letitia Wright from Black Panther,* Belle* and A United Kingdom director Amma Asante, director of Bliss! Rita Osei, Spectre actress Naomie Harris, screenwriter of Belle Misan Sangay and *12 Years A Slave *director Steve McQueen. Also included are a range of discussion points designed to raise important questions on diversity in the film industry and the importance of telling stories from different cultures. The assembly can be delivered in its entirety or used in sections for tutor sessions and the extension activities would be perfect for a homework task. Black Star is the British Film Institute’s celebration of the range, versatility and power of black actors on film and TV taking place nationwide and we’re delighted to be complementing their season with a programme of relevant films that resonate with our audience of 5-19 year olds. Embracing the BFI’s direction of illuminating on-screen talent, the films we’ve selected feature contemporary British stars of black heritage, as well as actors from the African diaspora and from throughout film history that demonstrate a real range and depth of storytelling. Visit the following link for further details on the Black Star season: http://www.bfi.org.uk/black-star

Diversity on film is a key topic in the film industry and this assembly is aimed at helping young people to discuss the representation of female characters on film using the Bechdel test as a framework. The Bechdel test is used in this assembly as a fun way of analysing how women are represented on film, and starting a conversation about whether this is fair. Young people will apply the Bechdel test to clips from popular films before discussing how films break with tradition. The extension activities will allow children to explore the issues presented in the assembly in a creative manner. The resource is suitable to be used in an assembly format, in a film club setting or for use in the classroom

These film-focused lessons are designed for used in studying English Literature English, using BFI film resources of Shakespeare adaptations. The lessons are particularly suitable to support revision for 14-16-year olds and cover four set texts: The Tempest, The Merchant of Venice, Macbeth and Twelfth Night. Each activity can be used in relation to the chosen text and mapped to exam boards. This resource was written by a Teach First teacher and is based on the Silent Shakespeare BFI archive film collection. For more information on the Shakespeare on Film season, please visit http://www.bfi.org.uk/shakespeare-on-film

This literacy pack provides a range of worksheets for analysing the storyline and characters within any film. There are also worksheets to help young people to develop their personal analysis and interpretation of the film in addition to a section on filmmaking tasks. The final section contains worksheets to promote extended writing to develop the learning from any film. Mae'r pecyn llythrennedd yn cynnig nifer o syniadau ar gyfer dadansoddi'r stori a'r cymeriadau o fewn unrhyw ffilm. Mae yna thaflenni gwaith i helpu pobl ifanc i ddatblygu eu dadansoddiad personol a dehongliad o'r ffilm yn ogystal ag adran ar dasgau gwneud ffilmiau. Mae'r adran olaf yn cynnwys taflenni gwaith i hyrwyddo ysgrifennu estynedig i ddatblygu'r dysgu o unrhyw ffilm.

Diversity on film is a key topic in the film industry and this assembly is aimed at helping young people to discuss the representation of female characters on film using the Bechdel Test and the F-Rating as a framework. The Bechdel Test is used in this assembly as a fun way of analysing how women are represented on film, and starting a conversation about whether this is fair. The F-Rating is included to stimulate debate about equal representation behind the scenes within the industry, and how this affects the films that are made. Young people will apply the Bechdel Test and the F-Rating to clips from popular films before discussing the effect of these campaigns to instigate change within the industry. The extension activities will allow students to explore the issues presented in the assembly in a creative and analytical manner. The resource is suitable to be used in an assembly format, in a film club setting or for use in the classroom (guidance is given below).

This resource is for teachers and film club leaders to use to mark Refugee Week, and as stimulus to discuss the hardships and resilience of refugees around the globe. This resource contains guides to two short documentary films, Hamsa and Boya Boya (Shine Shine) which have been specially selected to be accessible to learners within the 11 to 19 age range. The guides include discussion questions, and activity ideas to encourage learners to ask and answer questions and reflect on why people seek sanctuary in other countries. For more Into Film resources and to start your free Into Film club visit www.intofilm.org

Careers in Film - Secondary introduces students aged 11 to 16 to a range of potential careers in the film industry through a variety of learning activities, with cross-curricular links to STEAM subjects and a variety of skills. It has been created to respond to the need for new, homegrown talent by providing an opportunity for students to explore how they might see themselves as part of the industry. By watching clips and interviews, researching and trying out well-known and unfamiliar roles in the sector, learners can begin to understand the skills they are already developing across the curriculum that could one day translate to fulfilling careers. This comprehensive resource has been produced by Into Film in partnership with BAFTA, Creative Skillset, The Production Guild, Film Distributors' Association, The Industry Trust and UK Cinema Association. All educators should download the PPT and Educators' Notes, and whichever Student Workbook and Skills Audit PDFs are suitable for their cohort (11-14 or 14-16). Exclusive industry interviews and masterclasses are available to watch at www.intofilm.org/careers-secondary To start your free Into Film club visit www.intofilm.org/clubs Did you find this resource useful? Leaving a star rating will help other teachers to find it.

Since 2013 the Into Film Programming Team and members of the Film Department at the British Council have worked together to create a showcase for the best British short films that appeal to young people made each year. Resulting in a series of short film programmes for Primary and Secondary ages they all include a variety of animation, live action and documentary film offering something for everyone. Watch them all at once or just dip in and out whenever you want a short burst of film fun. The British Council builds trust between, and creates international opportunities for, the people of the UK and other countries worldwide. Its specialist Film department works to profile the innovation, diversity, creativity and excellence of British films both internationally and in the UK. Supporting short films and emerging filmmakers is a key part of our activity and so we're absolutely thrilled to be a partner for this compilation and bring some of the best short films from around UK to a brand new audience. Find out more here: www.britishcouncil.org/film The British Council also works with schools in the UK and globally to enrich education and promote global citizenship. We can help you to collaborate with partner schools overseas and give you access to resources and professional development courses. Find out more here: www.britishcouncil.org/schoolsonline

David Lean is one of Britain’s greatest ever directors – someone who, throughout a five-decade career, crafted films based on well-known books and plays as well as original, epic stories. He was also a master of light and shade, emotional rise and fall and, most importantly, remains one of cinema’s most compelling storytellers. His first film, In Which We Serve, which he co-directed in 1942, is a quintessentially patriotic tale of World War Two which features the first on-screen role of a young Richard Attenborough. From here, he produced more films set during politically and historically important times, and is perhaps most famed for his silver-screen adaptations of classic Victorian novels like Great Expectations (1946) and Oliver Twist (1948) which are full of the grit and harshness of the Dickens books on which they are based. Moreover, Lean continued to harness the war as an epic backdrop for his extraordinary narratives. Brief Encounter (1945), The Bridge on the River Kwai (1957) and Lawrence Of Arabia (1962) are all often referenced as among not only the greatest British films of all time, but some of the finest titles ever committed to film. David Lean directed over 15 films and edited many more, but here we have selected four films that give an insight into the breadth of his output and his undeniable skill behind a camera. The discussion points, notes and activities in this resource will enable you and your club to further explore Lean’s work, whilst sparking discussion and debate about how the films have stood the test of time, and what they can teach us about our historical past.

This resource provides young people with a number of helpful tips on getting their films seem by a wide audience. This includes tips and suggestions for entering youth film festivals and also national filmmaking competitions. The guide is recommended for young people aged 13 to 19 for them to engage with filmmaking directly and without the support of an adult. This resource forms part of a collection of mini filmmaking guides for young people covering the key aspects of the five stages of film production. Mae’r adnodd yma’n darparu nifer o awgrymiadau defnyddiol i gael eu ffilmiau wedi’u gweld gan gynulleidfa ehangach. Mae hyn yn cynnwys cyngor ac awgrymiadau i gystadlu mewn g?yliau ffilm ieuenctid a chystadleuthau creu ffilm cenedlaethol. Awgrymir defnyddio’r canllaw yma gyda phobl ifanc rhwng 13 a 19 oed i’w hymgysylltu â chreu ffilmiau uniongyrchol a heb gymorth oedolyn. Mae'r adnodd hwn yn rhan o gasgliad o ganllawiau ffilmiau ar gyfer pobl ifanc, sy'n edrych ar bump cam allweddol o gynhyrchu ffilm.

This resource introduces young people to the development stage of film production. It includes top tips and activities covering themes, premise, character development, genre and different types of story structure to help them develop their film ideas. The guide is recommended for young people aged 13 to 19 for them to engage with filmmaking directly and without the support of an adult. This resource forms part of a collection of mini filmmaking guides for young people covering the key aspects of the five stages of film production. Mae'r adnodd hwn yn cyflwyno'r camau o ddatblygu o gynhyrchu ffilm i bobl ifanc. Mae'n cynnwys awgrymiadau a gweithgareddau sy'n cwmpasu themâu, syniadau, datblygu cymeriadau, genre a gwahanol fathau o strwythur stori i'w helpu datblygu eu syniadau ffilm. Awgrymir defnyddio’r canllaw yma gyda phobl ifanc rhwng 13 a 19 oed i’w hymgysylltu â chreu ffilmiau uniongyrchol a heb gymorth oedolyn. Mae'r adnodd hwn yn rhan o gasgliad o ganllawiau ffilmiau ar gyfer pobl ifanc, sy'n edrych ar bump cam allweddol o gynhyrchu ffilm.

This resource will help young people to develop their film ideas further and refine this into a short summary. The summary can be used to describe ideas to crew members or other interested parties through the process of pitching.The guide is recommended for young people aged 13 to 19 for them to engage with filmmaking directly and without the support of an adult.This resource forms part of a collection of mini filmmaking guides for young people covering the key aspects of the five stages of film production. Mae’r adnodd yma i helpu bobl ifanc ddatblygu eu syniadau ffilm ymhellach a’i gwtogi i grynodeb byr. Gall y crynodeb ei ddefnyddio i ddisgrifio syniadau i aelodau'r criw neu uniogolion sydd â diddordeb drwy'r broses pitsio. Awgrymir defnyddio’r canllaw yma gyda phobl ifanc rhwng 13 a 19 oed i’w hymgysylltu â chreu ffilmiau uniongyrchol a heb gymorth oedolyn. Mae'r adnodd hwn yn rhan o gasgliad o ganllawiau ffilmiau ar gyfer pobl ifanc, sy'n edrych ar bump cam allweddol o gynhyrchu ffilm.

This resources provides young people with a range of practical tips on designing and sourcing costumes, finding and creating props and creating effects with make-up.The guide is recommended for young people aged 13 to 19 for them to engage with filmmaking directly and without the support of an adult. This resource forms part of a collection of mini filmmaking guides for young people covering the key aspects of the five stages of film production. Mae’r adnodd yma’n cynnig awgrymiadau i bobl ifanc ar sut i greu a chasglu gwisgoedd at eu gilydd, darganfod a chreu props a chreu effeithiau gyda cholur. Awgrymir defnyddio’r canllaw yma gyda phobl ifanc rhwng 13 a 19 oed i’w hymgysylltu â chreu ffilmiau uniongyrchol a heb gymorth oedolyn. Mae'r adnodd hwn yn rhan o gasgliad o ganllawiau ffilmiau ar gyfer pobl ifanc, sy'n edrych ar bump cam allweddol o gynhyrchu ffilm.

This resource provides young people with a range of practical tips and advice on setting up their filmmaking equipment before they start shooting. This includes selecting the right camera, use of a tripod, setting up the camera and framing and composition. The guide is recommended for young people aged 13 to 19 for them to engage with filmmaking directly and without the support of an adult. This resource forms part of a collection of mini filmmaking guides for young people covering the key aspects of the five stages of film production. Mae’r adnodd yma’n darparu ystod eang o awgrymiadau ymarferol a chyngor ar sut i baratoi’r cyfarpar ffilmio cyn eu defnyddio. Mae hyn yn cynnwys dewis y camera cywir, defnyddio tripod, paratoi’r camrera a fframio a chyfansoddiad. Awgrymir defnyddio’r canllaw yma gyda phobl ifanc rhwng 13 a 19 oed i’w hymgysylltu â chreu ffilmiau uniongyrchol a heb gymorth oedolyn. Mae'r adnodd hwn yn rhan o gasgliad o ganllawiau ffilmiau ar gyfer pobl ifanc, sy'n edrych ar bump cam allweddol o gynhyrchu ffilm.

This resource introduces young people to a wide range of camera shots, angles and movements with explanations of how to achieve them and the effect this has on narrative and making a film look more cinematic. The guide is recommended for young people aged 13 to 19 for them to engage with filmmaking directly and without the support of an adult. This resource forms part of a collection of mini filmmaking guides for young people covering the key aspects of the five stages of film production. Mae'r adnodd hwn yn cyflwyno pobl ifanc i ystod eang o siotiau camera, onglau a symudiadau gan esbonio sut i'w cyflawni a'r effaith gaiff hyn ar naratif a sut y maent yn gwneud i ffilm yn edrych yn fwy sinematig. Awgrymir defnyddio’r canllaw yma gyda phobl ifanc rhwng 13 a 19 oed i’w hymgysylltu â chreu ffilmiau uniongyrchol a heb gymorth oedolyn. Mae'r adnodd hwn yn rhan o gasgliad o ganllawiau ffilmiau ar gyfer pobl ifanc, sy'n edrych ar bump cam allweddol o gynhyrchu ffilm.

This resource provides young people with a useful checklist for assessing risks associated with shooting a short film to ensure everyone is safe on set. It also provides the rules of set etiquette to ensure production is professional and efficient. The guide is recommended for young people aged 13 to 19 for them to engage with filmmaking directly and without the support of an adult. This resource forms part of a collection of mini filmmaking guides for young people covering the key aspects of the five stages of film production. Mae’r adnodd yma darparu restrau gwirio ar gyfer asesiadau risg sy’n gysyllteidig â chreu ffilm i wneud yn siwr fod pawb yn ddiogel. Mae hefyd yn darparu arferion da i sicrhau fod y cynhyrchiad yn broffesiynol ac effeithiol. Awgrymir defnyddio’r canllaw yma gyda phobl ifanc rhwng 13 a 19 oed i’w hymgysylltu â chreu ffilmiau uniongyrchol a heb gymorth oedolyn. Mae'r adnodd hwn yn rhan o gasgliad o ganllawiau ffilmiau ar gyfer pobl ifanc, sy'n edrych ar bump cam allweddol o gynhyrchu ffilm.